Ursula Le Guin: The Earthsea Quartet
This collection of the first four novels (out of five, plus an additional collection of short stories) of the Earthsea cycle recounts four episodes in the life of the Archmage Sparrowhawk (which is not his true name) as he travels about the many islands of this fantasy world.
I found Le Guin's writing refreshingly different from most
other fantasy novels, and on many different levels. First of all
it is very taut: Whereas sprawling works like The Wheel of Time
expand thousands of pages to introduce dozens of characters that
drive many simultaneous plotlines and often engage each-other
on battlefields involving huge armies, these four books
are a combined seven hundred pages, and there are only a handful of
characters and a single narrative thread. As far as geography
is concerned, instead of a band of heroes traversing a continent
on horseback, we are presented with an archipelago and
little sailboats. Unlike your average mighty wizard, Sparrowhawk
spends about half of the time sick, injured, helpless, sleeping,
unconscious and/or dying. And even though all four books chronicle
crucial events in his life, he is the main protagonist only in
the first one. Finally, there is definitely a female sensibility
at work here, especially in the fourth book, which interestingly
enough was written decades after the others (1968, 1971, 1972, 1990),
but takes place immediately after the third book, whereas the
first trilogy was written in closer succession but is decades apart
storywise.
Studio Ghibli's Hayao Miyazaki had for many years wanted to create a movie based on Earthsea,
but Le Guin refused until finally approving the project after the great international success of
Spirited Away
. Miyazaki was then busy with Howl's Moving Castle
. however, and
his son Goro instead took over to direct his first film, Tales from Earthsea,
which received a mixed reaction.





